Messums Wiltshire
Place Farm, Court Street, Tisbury, Salisbury, Wiltshire SP3 6LW
9 March – 28 April 2019

An exhibition of works by artists working in tapestry and textile from 800 AD to the present day.

Exhibiting alongside Anni Albers, Hrafnhildur Arnardóttir, Adam Belcher, Louise Bourgeois, George Braque, Antoni Calvé, Oscar Dominguez, Donald Hamilton Fraser, Roger Fry, Magne Furuholmen, Liam Gillick, Ashley Havinden, Barbara Hepworth, Patrick Heron, Des Hughes, Kurt Jackson, Emilia and Ilya Kabakov, Joseph Kosuth, Francesca Lowe, Goshka Macuga, Henri Matisse, Henry Moore, Christian Newby, Ben Nicholson, Pablo Picasso, John Piper, Laure Prouvost, Alan Reynolds, William Scott, Nicholas de Staël, Hans Tisdal, Rosemarie Trockel, Gavin Turk, Keith Vaughan, Paule Vézelay and Henrik Vibskov.

A colour catalogue is available from Messums.

Photography: Steve Russell

messumswiltshire.com

Das Kühlhaus Berlin
Luckenwalder Str. 3, 10963 Berlin, Germany
16 – 18 November 2018

EXCHANGE BERLIN is an international exposition of artist/curator-led presentations loosely underpinnned by ideas around transnational localism. EXCHANGE BERLIN encourages integrated, collaborative and even spontaneous modes of exhibition and critical evaluation. The aim of all Sluice projects is to offer an independent alternative to the dominant organisational paradigms whilst demonstrating a belief in the importance of international engagement for otherwise local projects.

Exhibiting with the Blackwater Polytechnic alongside EMC Collard, Ben Coode-Adams, Fiona Curran and Justin Knopp.

Read Resistant Materials, an essay by Ben Coode-Adams and Freddie Robins (Blackwater Polytechnic) in Sluice magazine, Inter/nationalism issue, Autumn/Winter 2018

Photography: Ben Coode-Adams

sluice.info
blackwaterpolytechnic.com

M100, Exhibition Centre for Contemporary Art, Søndergade 26, 5000 Odense, Denmark
7 – 30 September 2018

Resistant Materials is an exhibition about how to live out of the centre, outside a framework of mutual endeavour and shared values.
The view of landscape from the city is very different from living in it. Being here in Essex there is not all that much romance. Here in this landscape it is mainly by turns muddy or dusty. It is dark. I become overwhelmed by colours. The birds are staggeringly loud. There is never quiet. A strimmer or chainsaw is always struggling to carve a clear space. This land is resistant. It bites and stings, catches at your clothes, and obstructs you at every turn.
Ben Coode-Adams

All four artists in the exhibition work with stuff, actual physical things produced with skill and craft.
I very much like physical material because it is uncompromisingly visual. I am naturally distrustful of text and words, of theory. I like action.
Ben Coode-Adams

Exhibiting alongside: Ben Coode-Adams, Fiona Curran and Justin Knopp.
Curated by Ben Coode-Adams/Blackwater Polytechnic

Photography: Kirstine Mengel

M100

The Minories Galleries, Colchester, Essex CO1 1UE
15 April – 10 June 2017

Exhibiting alongside: Ben Coode-Adams, Celia Pym, Clare Iles, Paris Essex, Sharon Leahy-Clark, Stafford Schmool and Will Cruickshank.

Curated by Ben Coode-Adams and Kaavous Clayton. Supported by Arts Council England.

A colour catalogue, designed by Marcia Mihotich, with essays by Linda Theophilus and Katherine Wood, is available from The Minories
the.minories@colchester.ac.uk 01206 712437

Photography: Douglas Atfield

Touring exhibition, installed at Forty Hall, Enfield, North London EN2 9HA
25 August – 20 November 2016

Someone else’s dream, 2014-16, series of reworked hand knitted jumpers, mixed fibres

I’m so bloody sad, 2015, machine knitted wool, foam, sand, knitting needles, 980 × 400 × 2100 mm

What Do I Need to Do to Make it OK? is an investigation into damage and repair, disease and medicine, and the healing and restoration of landscapes, bodies, minds and objects through stitch and other media. Exhibiting alongside: Dorothy Caldwell, Saidhbhín Gibson, Celia Pym and Karina Thompson.

Make it OK? is a touring exhibition, curated by Liz Cooper, supported by Arts Council England and the International Textile Research Centre of the University for the Creative Arts.
For more information

Photography: Douglas Atfield