Freddie Robins

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  • Knit, Cartwright Hall Art Gallery, Bradford, 25 February - 23 August 2015

    HofG

    Cartwright Hall Art Gallery is pleased to exhibit items on loan from the Crafts Council collection including Freddie Robins’s, Hand of Good, Hand of God.

    As one of the leading contemporary British Craft collections in the UK, the Crafts Council collection is now the UK’s foremost collection of contemporary craft, embracing all disciplines and featuring the most important makers of the last 40 years. Beginning in the Cellar Gallery, view objects from the Crafts Council Collection that spiral around the building, interlaced with fine art and international craft from Bradford’s own collections.

    Who are the current contemporary makers in the UK and internationally? This exhibition explores materials, designs and technologies present in contemporary craft. With a strong history of wool, Bradford is the perfect place to investigate how the process of ‘knit’ has developed and inspired. From the science to the skill, through to the pure design eyes of our contemporary makers, come and see and experience craft – you will be very inspired!

    Photography: Heini Schneebeli, courtesy of Crafts Council

    Hand of Good, Hand of God
    bradfordmuseums.org

    28 January 2015

  • Hole & Corner, issue 4

    Hole&Corner
    Hole&Cornercover

    In issue 04 of Hole & Corner curator, Andrée Cooke, asks Freddie Robins to hand write her answer to the following question, “When you make a piece, what’s your starting point – hand or head? How does your work develop as you make it?

    holeandcornermagazine.com

    09 January 2015

  • Exchange Rates: the Bushwick Expo, Brooklyn, New York, 23 - 26 October 2014

    exchange

    The artists from the Blackwater Polytechnic will be showing at Theodore:Art as part of Exchange Rates: the Bushwick Expo. This is the first collaboration between existing artist-run and emerging galleries in Bushwick and Sluice, the London-based art initiative for artist-run projects from across the UK and Europe. Projects from Sluice’s network of UK and European galleries will share space with existing Bushwick spaces to forge links and find common ground across a vast geographical sweep.

    Exchange Rates invites representatives from kindred art communities to be
    part of Bushwick’s development. With a common focus on public engagement, artistic collaboration and the transferral of ideas, Exchange Rates will engender creative transaction between galleries, artists, curators and members of the public. There will be 52 galleries and projects participating from 19 different cities around the world. The expo will include several panel discussions, performance events and Norte Maar’s Beat Nite, a late night gallery tour and after-party on Friday.

    Come to Exchange Rates for a creative breath of fresh air.

    It is an exposition, to wit. Not a fair.

    Exchange Rates: the Bushwick Expo is organised by Sluice_, Theodore:Art and Centotto.

    Open from Thursday 23 – Sunday 26 October, 12 – 6pm daily
    Launch party Friday 24 October 6 – 10pm
    Entrance free

    Blackwater Polytechnic will be showing at Theodore:Art, 56 Bogart St, Ground Floor, Brooklyn, NY 11206

    Blackwater Polytechnic artists: Ben Coode-Adams, Freddie Robins, Simon Emery (The Paintbox), Sara Impey, Justin Knopp (Typoretum) and Paula Kane.

    Interview with Ben Coode-Adams about the work of the Blackwater Polytechnic in the online publication Hyperallergic – An English Shire Arrives in Bushwick for Exchange Rates

    sluice.info
    blackwaterpolytechnic.com
    theodoreart.com

    04 October 2014

  • Fifty Moments that Changed Craft, Crafts, no. 250 September/October 2014

    To celebrate the 250th issue of Crafts, the magazine asked a group of makers, writers, gallery owners and collectors to nominate a moment that changed the field of making.

    The American Craft Museum changes its name (2002)
    For me an important moment is the moment that craft became a dirty word: the other c-word! In America the evidence for this is tangible; the changing of the name of the American Craft Museum in New York to the Museum of Arts & Design in 2002 (mind you, I love the acronym MAD). And in 2003 the dropping of the word ‘craft’ from California College of Arts and Crafts in San Francisco, making it simply the California College of the Arts. Maybe the seminal moment was in 2005 when Lacey Jane Roberts (a grad student from CCA) knitted the words ‘& Crafts’ in bright orange yarn and installed them in their former place at the end of the ‘California College of Arts’ sign, so that it read ‘California College of Arts & Crafts’ again.
    Freddie Robins, artist

    to read PDF of whole article

    03 October 2014

  • The Perfect Animation + Artifex Gallery, Vilnius Academy of Arts, Lithuania

    Two groups of BA Textiles students from Vilnius Academy of Arts were asked to make animated films of Freddie Robins’ knitted works, which were installed at Artifex Gallery, Vilnius, Lithuania from 12 – 27 September 2014.

    Film by Katazina Jancevic, Marija Svedaite and Raminta Berzanskyte
    Film by Zymante Poskaite and Ramune Pogozelskaite

    poster

    www.artextile.lt
    www.vda.lt

    01 October 2014

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