Freddie Robins

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  • Feel the Fear and Make it Anyway

    Feel the Fear and Make it Anyway
    Feel the Fear and Make it Anyway
    Feel the Fear and Make it Anyway

    2007
    Machine knitted yarn, cellophane, buttons

    1300 × 560 mm

    Installation around pillar in Wintry, Lounge/Monika Bobinska, London
    2 November – 9 December 2007


    Exhibiting alongside: Su Blackwell, Debbie Booth, Andrew Hladky, Sophie Horton, Adam King, Gavin Maughfling, Lucinda Oestreicher, Laure Prouvost, Greg Rook, Kate Street and Gillian Wylde

    01 May 2007

  • Weren’t you listening? I told you craft kills

    Weren’t you listening? I told you craft kills

    2007
    wool, plastic cone, knitting needles

    650 × 200 × 200 mm – 400 × 180 × 130 mm

    01 May 2007

  • Ceremony

    Pump House Gallery, Battersea Park, London
    17 August – 9 October 2005
    http://pumphousegallery.org.uk

    Curated by Freddie Robins and Sandra Ross

    Ceremony
    Ceremony
    Ceremony
    Ceremony
    Ceremony
    Ceremony

    “ Ceremony was born out of a discussion about the relevance, application and value of craft skills in today’s society and the need to platform contemporary craft in visual arts venues, especially in London. An idea that we kept coming back to was the way that unique crafted objects play an integral role in the execution of traditional rites of passage, from the knitted christening shawl to the gold wedding ring and finally the floral funeral wreath. A period of research ensued and after contacting numerous artists, making many studio visits and having discussions with peers about this concept, we devised an exhibition that brought together an eclectic brew of works, performances and projects that explored the performative relationship between object and ritual. Many of the works and projects were especially commissioned for this exhibition and covered a diverse range of practices including cake decorating, metal work, film, knitting, live art, stone carving, quilting and floristry.

    As well as exploring the rituals themselves, this exhibition provided a glimpse of the diverse range of craft practices and techniques used by contemporary practitioners. It gave exposure to under-valued skills such as cake decorating, floristry and knitting, and brought into question the traditional hierarchical domains of fine and applied art.”

    (Text taken from the Foreward for Ceremony publication, written by Freddie Robins and Sandra Ross.)

    Exhibitors were Barby Asante, Elizabeth Callinicos, Rachael Matthews (Cast Off), Tim Davies, Catherine Hawes, Rozanne Hawksley, Julie Henry, Serena Korda, Laura Potter, Freddie Robins , Chris Stewart, Hans Stofer, Shane Waltener and Welfare State International.

    17 August 2005

  • It Sucks

    It Sucks
    It Sucks

    2005
    Hand knitted 2-ply Shetland Lace Yarn 

    1000 × 1000 mm
    Knitted by Audrey Yates
    Commissioned by Pump House Gallery, London

    Installation in Ceremony, Pump House Gallery, London 17 August – 9 October 2005. Shown alongside Serena Korda’s Love, Honour and Obey, 2004

    My work often employs humour and text to communicate messages. I like to play on words to make visual suggestions. In this commissioned piece, “It Sucks”, I subvert the traditional hand knitted Shetland Lace christening shawl to communicate the very mixed feelings that I had upon the birth of my daughter and becoming a new mother.

    Photography: Colin Guilemet

    01 May 2005

  • Knit 2 Together: Concepts In Knitting

    24 February – 15 May 2005

    Crafts Council Gallery, London 

    www.craftscouncil.org.uk


    Touring to: City Gallery, Leicester, Knitting & Stitching Show (Alexandra Palace, London, RDS, Dublin and RDS, Dublin) Oriel Davies Gallery, Powys, Wales

    Curated by Freddie Robins and Katy Bevan

    Knit 2 Together: Concepts In Knitting
    Knit 2 Together: Concepts In Knitting

    Knit 2 Together: Concepts in Knitting is the first knitting exhibition by the Crafts Council since 1986. It takes a close look at contemporary knitting in art practice, especially work that pushes the perceived boundaries within the world of knitting. By focussing on the possibilities that the craft allows, and emphasizing technique, process, structure and material, Knit 2 Together takes an in-depth look at the individual stitch. Once previous associations are recognised and removed, knitting can be rehabilitated as a first class craft.

    The exhibitors are representative of different strands in knitting today, from the self-taught art of Marie-Rose Lortet, to the highly technical digital imagery of Kelly Jenkins. The majority of the exhibitors are based in the UK, while the US, Canada, Japan and France are also represented.”

    (Taken from the Crafts Council leaflet for Knit 2 Together: Concepts in Knitting, written by Katy Bevan)

    Exhibitors were Andy Diaz Hope, Francoise Dupre, Kelly Jenkins, Ruth Lee, Marie-Rose Lortet, Rachael Matthews, Susie McMurray, Janet Morton, Celia Pym, Freddie Robins, Takehiko Sanada, Stephanie Speight, Jemma Sykes, Shane Waltener and Donna Wilson.

    Photography: Ed Barber/Crafts Council

    24 February 2005

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