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  • Odd Sweaters - Fourway, Noway, Legroom, Headroom & Armed

    oddsweaters
    1999
    machine knitted wool
    installed at the Crafts Council Gallery, London
    Noway in the collection of KODE – kunstmuseene i Bergen, Norway
    Legroom in the collection of Aberdeen Art Gallery and Museum

    Photography: Ed Barber/Crafts Council

    17 June 1999

  • Log Cosies

    cosynosy

    outofhertree

    COSY NOSY 
, 1999
    machine knitted wool, log 
180 × 410 × 120 mm

    Private Collection

    She’s Out of Her Tree, 1999
    machine knitted wool, log 
70 × 520 × 70 mm 

    Private collection

    17 June 1999

  • Comfort Creatures

    comfortcreature

    comfortsheep

    Comfort Creature, 
1998
    wool, felt, plastic
 330 × 120 × 90 mm

    Private Collection

    Comfort Sheep, 2000
    wool, felt, plastic, paper
 approx 210 × 180 × 90 mm

    My awareness of textiles came through Janie, a rag doll made for me by my Aunt. Janie’s orange wool hair was a great comfort to me, I would tickle my nose with it. Her hair would gradually wear out and my Godmother would give her a new lot, always wool, always orange.

    My Godmother became my greatest inspiration. She was always making things, not frumpy, lumpy things that you hid in your wardrobe, but fashionable, desirable toys and clothes. She was a free spirit. She lived alone, was unmarried and just got on with her own thing. I associated textiles with her and therefore with freedom.

    I loved the Clangers, they were knitted. My Godmother taught me to knit, it was difficult, she was left handed. I loved knitting.

    I was further inspired by the knitwear designer, Patricia Roberts. She did not rely upon traditional textile images, wholesome flowers, but turned instead to the contemporary urban world for inspiration. She was bold. I entered knitwear design competition in a craft magazine. I won. I was academic but I was also creative. I knew which path I would follow, the one that represented individuality.

    Photography: Douglas Atfield

    17 June 1998

  • (H)armless

    harmless

    1997
    machine knitted yarn (mixed fibres), rubber glove,
recycled sweater sleeves

    Photography: Douglas Atfield

    17 June 1997

  • Tree Cosies

    treecosies1

    treecosybranch

    treecosiemohair

    1997
    machine and hand knitted yarn, buttons

    Site specific installation for “The garden pARTy” 
(Feeringbury VII), Feeringbury Manor, Colchester, Essex. 

    Hand knitted cosies by Molly Robins.

    GARDEN PARTY

    TEA PARTY

    TEA COSY

    TREE COSY

    17 June 1997

Page 12 of 13

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View work by year

  • 2023-present
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  • pre-2000

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