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  • Anyway

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    Anyway

    2002
    machine knitted wool

    1650 × 3000 × 3000 mm

    Installed at firstsite at the Minories Art Gallery, Colchester
    In the collection of the Castle Museum, Nottingham 


    Computer Aided Design and knitting development by Kate Sayer and Kim Mitcham at the William Lee Innovation Centre.

    The William Lee Innovation Centre (WLIC) is a multi-disciplinary research centre in fibre structural assembly based at The University of Manchester (formerly UMIST). The centre supports artists and designers working with fibre and textile structures to make the most of virtual garment engineering. The WLIC closed in 2007. Made with financial support from London Arts and Goldsmiths College, University of London.

    Photography: Douglas Atfield

    07 June 2003

  • Knitted Homes of Crime

    Knitted Homes of Crime

    2002 Hand knitted wool, quilted lining fabric
    Knitted by Jean Arkell
    Commissioned by firstsite. Installed at firstsite at the Minories Art Gallery, Colchester

    These are the homes of female killers or the houses where they committed their crimes.

    Knitted Homes of Crime

    Christiana – 20 hours 

    16 Gloucester Place, Brighton, East Sussex – 1871


    Mrs. Beard – 21 1/2 hours 

    64 Grand Parade, Brighton, East Sussex – 1871

    Christiana Edmunds was a 43 year-old spinster who lived with her widowed mother. She had become infatuated with a married man, Dr. Beard. In September 1870 she brought a box of chocolates to the Beard’s house and insisted that Mrs. Beard eat some over a pot of tea. Christiana had filled these chocolate creams with strychnine. Immediately after eating one Mrs. Beard became severely ill. As a result Dr. Beard accused her of trying to poison his wife. Christiana denied the charge and set about trying to prove that there was a poisoner at large in Brighton. She would pay children to buy chocolate creams from the same sweet shop that she purchased the box of chocolates for Mrs. Beard from. She would inject these with strychnine, then re-wrap them and pay another child to return them. The innocent shop-keeper sold on these poisoned sweets. On 12 June 1871 this activity resulted in the death of 4-year-old Sidney Barker. Christiana even sent poisoned cakes and fruit through the mail, addressing some to herself, to try to emphasise her innocence. She was eventually caught and sentenced to death but when it transpired that she was mentally ill her sentence was commuted and she was sent to Broadmoor. She died there in 1907 aged 79. It later transpired that no less than four members of her immediate family had died as a result of mental illness.

    Knitted Homes of Crime

    Eleanor – 13 hours 

    2 Ivor Street (formerly Priory Street), Camden, London – 1890

    Mary Eleanor Wheeler, aged 24, was living with a Charles Creighton under the assumed name of Eleanor Pearcey. She was having an affair with a married man, Frank Hogg. On 24 October 1890 she invited his wife Phoebe to tea. In her own kitchen she battered Mrs. Hogg over the head with a poker and then slit her throat. She also killed the Hoggs’ 18-month-old baby daughter who Mrs. Hogg had brought along with her. Eleanor put the bodies into the baby’s pram. When it was dark she pushed the pram around disposing of the two bodies as she went. She was soon caught. Despite her claims that the blood in her kitchen came from a session of mouse killing she was found guilty and hanged at Newgate Prison on 23 December 1890. Her father had been hanged ten years earlier. Her last request was for a mysterious advertisement to be placed in a Madrid newspaper. It read “M.E.C.P. Last wish of M.E.W. Have not betrayed”

    Knitted Homes of Crime

    Ethel – 10 hours 

    2 Council Houses, Kirkby on Bain, Lincolnshire – 1934

    Ethel Major, aged 43, lived with her husband Arthur. In 1934, after 16 years of marriage and a child of their own, Arthur discovered that Ethel already had an illegitimate daughter, Auriel. Their marriage started to deteriorate and Ethel began to imagine that he was now having an affair. As a result of her suspicions she started to poison him. Arthur eventually died on 24 May 1934 after eating corned beef sandwiches containing strychnine. Ethel was caught on the day of Arthur’s funeral when the police received an anonymous letter claiming that a neighbours dog had died after eating scraps of food from the Major’s household. After an examination of Arthur’s body and the exhumation of the dog she was charged. Ethel was found guilty of murder and hanged at Hull Prison on 19 December 1934.

    Knitted Homes of Crime

    Styllou – 22 1/2 hours 

    Ground Floor, 11 South Hill Park, Hampstead, London – 1954

    Styllou Christofi, a 52-year-old cypriot woman, murdered her german daughter-in-law, Hella, at the family home on 28 July 1954. Styllou had moved from Cyprus to live with her son and his family but problems soon arose. Styllou became increasingly jealous of her daughter-in-law and ended up hitting her over the head with an ash-plate from the stove, strangling her, soaking her body in petrol and setting fire to her in the back garden. Styllou, who spoke little english, raised the alarm, stating that she left Hella in the kitchen, went to bed but was woken by the smell of smoke. She was hanged at Holloway Prison on 13 December 1954. After her death it transpired that in 1925, when Styllou was a young woman, she had been acquitted of murdering her own mother-in-law.

    Charlotte – 14 1/2 hours 

    Coombe Farm Cottages, Sherborne, Dorset – 1935

    Charlotte Bryant, a 33-year-old illiterate mother of five, lived here with her husband Frederick. She enjoyed a drink and had a reputation as an amateur prostitute in the local pubs. Apparently her toothlessness and lice did not put the men off. Sometimes she even brought them home. One of these men was Leonard Parsons, a gypsy horse trader. Leonard became an occasional lodger in the Bryant household and Frederick did not seem to mind sharing Charlotte with him. Charlotte decided otherwise and started poisoning Frederick so that she would be free to marry Leonard. Frederick eventually died on 22 December 1935 after drinking a cup of Oxo containing arsenic. Charlotte was caught after the post-mortem on Frederick’s body. A friend also told the police that she had seen Charlotte trying to destroy a tin of weed-killer. She was hanged at Exeter Prison on 15 July 1936.

    Ruth – 42 hours
    
The Magdala Tavern, South Hill Park, Hampstead, London – 1955

    This is where 28-year-old Ruth Ellis shot her lover, racing driver David Blakely. Ruth, a twice married night club manageress, had been involved in a stormy relationship with Blakely for two years. When he tried to free himself from her she could not bear it and got herself a revolver to put an end to him. Spotting his van outside The Magdala Tavern on the evening of Sunday 2 April 1955 she waited for him to return. At 9.00pm, as he approached his van, she called out his name and shot him. As he tried to run away she shot him three more times. Apparently his blood mixed with the beer from a pierced flagon, that he was carrying, to make a frothy red river trickling down the gutter. There was much controversy surrounding this case. Just before she died she gave a sworn statement that her new lover , and friend of Blakelys, Desmond Cussen, had encouraged her to shoot Blakely. She was hanged at Holloway Prison on 13 July 1955, seven months after Styllou Christofi. She was the last woman to be hanged in Britain.

    Curiously the last two women to be hanged in Britain, Ruth Ellis and Styllou Christofi, committed their crimes in the same road.

    Photography: Douglas Atfield

    07 June 2003

  • Forearmed and Forewarned

    Forearmed
    Forearmed
    Forewarned
    Forewarned

    Forearmed

    2002
    machine knitted wool

    1360 × 1360 mm

    Forewarned

    2002
    machine knitted wool 
1920 × 1360 mm
    In the collection of the Castle Museum, Nottingham

    Photography: Douglas Atfield

    07 June 2003

  • Knitted Banners

    Knitted Banners
    Knitted Banners
    Knitted Banners
    Knitted Banners
    Knitted Banners

    I CAN’T REMEMBE
    2000 Hand knitted yarn (mixed fibres), 1195 × 340 mm

    Private collection

    I AM PERFET
    2000 Hand knitted yarn (mixed fibres),
926 × 340 mm

    Hand knitted by Jean Arkell. Private collection

    DO I FIT IN

    2005 Hand knitted yarn,
800 × 340 mm

    Hand knitted by Freda Burgher. Private collection

    I’M SO ANGRY

    2005 Hand knitted yarn,
960 × 340 mm

    Hand knitted by Freda Burgher

    In the collection of KODE – Kunstmuseene i Bergen, Norway

    WHAT ARE YOU LOOKING AT
    2005 Hand knitted yarn,
1840 × 340 mm

    Hand knitted by Jean Arkell

    06 June 2003

  • Britto International Artists' Workshop—Bangladesh 2003

    Britto is an autonomous, artists’ led organisation registered as non-profit. Britto was set up in 2002 in Dhaka, Bangladesh. It is part of the world-wide network of Triangle Arts Trust, an international network of artists and arts organisations that promotes dialogue, exchange of ideas and innovation within the contemporary visual arts.

    www.brittoartstrust.org
    www.trianglenetwork.org

    The International Artists’ Workshop brought together 19 artists from Bangladesh, France, Germany, Hong Kong, India, Indonesia, Japan, Myanmar, Pakistan and UK to live and work side by side, at Tepantor Film City, Valuka, Bangladesh.

    Britto International Artists' Workshop—Bangladesh 2003
    Britto International Artists' Workshop—Bangladesh 2003
    Britto International Artists' Workshop—Bangladesh 2003
    Britto International Artists' Workshop—Bangladesh 2003
    Britto International Artists' Workshop—Bangladesh 2003
    Britto International Artists' Workshop—Bangladesh 2003
    Britto International Artists' Workshop—Bangladesh 2003

    Installation of Comfort Quilts and Long Arm of the Law
, 2003
    cotton fabric, cotton wadding, cotton thread

    Long Arm of the Law, 2003
    cotton fabric, cotton wadding, cotton thread, handmade iron nails

    Long Arm of the Law (detail)
, 2003
    cotton fabric, cotton wadding, cotton thread, 
handmade iron nails

    Bangladeshi Comfort Creatures, 
2003
    yarn, plastic toys
    In Private Collections

    Leaf, Lips, Lipi, 2003
    bamboo and plastic sieves, plastic wastepaper basket, yarn

    I was filled with anxiety and apprehension about the two weeks that I was to spend in Bangladesh. I knew that there would be difficulties but nothing could have prepared me for what was the biggest difficulty of all – the dispersal of the Britto family and the knowledge that we would never be together again. I am left deeply affected by the relationships that I made and the different cultures that I experienced.

    I worked on three projects for Britto which were initially inspired by the materials and skills which could be bought locally. For the Open Studio Day the projects were installed together in a building which was under construction. The entrance to my installation, The Long Arm of the Law, was marked by a hank of wool. This was the symbol used to indicate that there was wool for sale in the market in Dhaka, albeit unraveled from pre knitted jumpers!

    My first project was a small series of dolls, which were related to a series of Comfort Creatures which I had made in the UK. These were made from plastic toys and the reclaimed wool. Making these new Bangladeshi Comfort Creatures was a way of dealing with the initial anxieties that I felt about working in an alien environment, in front of strangers and without my usual access to materials and skills.

    The second project took the form of a huge embroidered face. This was taken from the cover of one of the many children’s’ alphabet books that I bought. The eyes were embroidered onto plastic sieves, whilst the nose was worked on a plastic wastepaper basket. The lips were represented by a leaf embroidered onto a round bamboo sieve. This image was taken from an educational chart, showing the parts of the human body, where the lips had been mislabeled as “leaf”. For me this mistake symbolized the many cultural misunderstandings that exist and represented my inability to speak even the simplest word in Bangla whilst everyone around me could speak my language.

    The final project was a series of figurative quilts based on drawings that I had been doing just before I left the UK. The making of the quilts was inspired by how surprisingly cold it was at night and were a way of working with a textile process, other than that of knitting which I usually work with. Four distorted figures and a gun were made in conjunction with a local tailor and quilter. This was a very constructive, enjoyable collaboration, which also enabled me to spend a lot of time in the local market. I felt that I should re-title the workshop “Britto International Artists’ Shop”.

    “Britto, better than the best”.

    (Statement written for the catalogue for Britto International Artists’ Workshop – 2003.)

    01 May 2003

Page 10 of 14

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